Tracy Chapman

Tracy Chapman helped restore singers/songwriters to the spotlight in the 80s. The multi-platinum success of Chapman’s eponymous 1988 debut was unexpected, and it had a lasting impact. Although Chapman was working from the same confessional singer/songwriter foundation that had been popularised in the 70s, her songs were fresh and powerful, driven by simple melodies and affecting lyrics. At the time of her first album, there were only a handful of artistes performing such a style successfully, and her success ushered in a new era of singers/songwriters that lasted well into the 90s. Her album also helped usher in the era of political correctness along with 10,000 Maniacs and R.E.M., Chapman’s liberal politics proved enormously influential on American college campuses in the late 80s.

Of course, such implications meant that Chapman’s subsequent recordings were greeted with mixed reactions, but after several years out of the spotlight, she managed to make a very successful comeback in 1996 with her fourth album, New Beginning, thanks to the Top Ten single ‘Give Me One Reason’.

Raised in a working class neighborhood in Cleveland, OH, Chapman learned how to play the guitar as a child and began to write her own songs shortly afterwards. Following high school, she won a minority placement scholarship and decided to attend Tufts University, where she studied Anthropology and African Studies. While at Tufts, she became fascinated with Folk-rock and singers/songwriters, and began performing her own songs at coffeehouses.

Eventually, she recorded a set of demos at the college radio station. One of her fellow students, Brian Koppelman, heard Chapman play and recommended her to his father, Charles Koppelman, who ran SBK Publishing. In 1986, she signed with SBK and Koppelman secured a management contract with Elliot Roberts, who had worked with Neil Young and Joni Mitchell. Roberts and Koppelman helped Chapman sign to Elektra in 1987.

Chapman recorded her debut album with David Kershenbaum, and the resulting eponymous record was released in the spring of 1988. Tracy Chapman was greeted with enthusiastic reviews, and she set out on the road supporting 10,000 Maniacs. Within a few months, she played at the internationally televised concert for Nelson Mandela’s 70th birthday party, where her performance was greeted with thunderous applause. Soon, the single ‘Fast Car’ began climbing the charts, eventually peaking at number six.

The album’s sales soared along with the single, and by the end of the year, the record had gone multi-platinum.

Early the following year, the record won four Grammys, including Best New Artiste.

It was an auspicious beginning to Chapman’s career, and it was perhaps inevitable that her second album, 1989’s darker, more political Crossroads, was not as successful.

Although it was well-reviewed, the album was not as commercially successful, peaking at number 9 and quickly falling down the charts. Following Crossroads, Chapman spent a few years in seclusion, returning in 1992 with Matters of the Heart.

The album was greeted with mixed reviews and weak sales, and Chapman had fallen into cult status. Three years later, she returned with New Beginning, which received stronger reviews than its predecessor. The bluesy ‘Give Me One Reason’ was pulled as the first single, and it slowly became a hit, sending the album into the U.S. Top Ten in early 1996. It was a quiet, successful comeback from an artiste most observers had already consigned to forever languish in cult status. Telling Stories followed in early 2000.
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